![]() ![]() ![]() Therefore, a reading of recent bibliographic material (twenty-eight articles, five dissertations, and two theses) was carried out, which addresses the theme of the digital from discussions referenced by Henri Bergson. This article aims to discuss these categories, memory, and perception, in the digital context, taking as reference the complex ontology of philosopher Henri Bergson. From this, categories recurrently approached by areas of knowledge such as psychology, such as, for example, memory and perception, are also revisited and invoked by scholars of media and the digital context. ![]() Such hybridity brings the need to constitute categories of analysis to understand these new ways of being in the digital, since what we call “body,” in its modern, unified, closed-form, independent of the outside, would be unable to articulate or explain the experiences in digital networks. ![]() The emergence of electronic media conditions this galaxy, where there is a conjuncture of a new tribalism marked by hybridism (man-machine) in which conditions of possibilities of partial identities are presented. According to McLuhan, the Gutenberg galaxy is marked by the emergence of electronic media. ![]()
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